Last month at the thrift store I came across some burlap and have been exploring it as a medium ever since. It started with a little burlap bag makeover.
25 cent bag, 35 cent fabric scrap.
My new 60 cent bag. I love it.
Especially the side pockets just the right size for water bottles.
Next came a little burlap birdie. No surprise to most of you that I made yet another bird.
But this is my first bird with eyes (made of cloves),
and legs (made of sticks). This was the easiest and fastest bird yet. I left the raw edges of the burlap exposed to create a fringe.
Then there were the little gift bags I whipped up.
A plain little 5 inch square drawstring bag, just the right size to hold several acorn necklaces.
And a pretty little bag for Avery's friend, embellished with leaves made from a felted sweater and a pink button for a blossom.
Perhaps my favorite project made from burlap is this pear.
I used the pear template from UK Lass in US; I enlarged the pattern by an 1/8 of an inch around the top, and a 1/4 inch around the bottom to make the pear plump.
My favorite part of the pear is the leaf, which I crocheted from copper wire. Come back tomorrow and I'll show you how to crochet your own metal leaves. Such a fun project with so many possibilities.
Of course, I'm not the only blogger playing with burlap right now. My friend Maya*Made has been creating beautiful and useful objects from burlap. Check out her blog and etsy store if you haven't already.
Here's some music to craft by - Madeleine Peyroux and friends have been keeping me company. Enjoy!
Wednesday, March 4, 2009
Hugh Jarrett....Last Of The Great WLAC DJ's, Gone To Glory!
You know, it's strange that nearly every story relating to Hugh Jarrett's untimely death left out the fact that Hugh was one of the five most successful disc-jockeys of our time. After leaving the gospel business of The Jordanaires, Hugh became a highly visible air personality at WLAC Radio in Nashville, Tennessee.
It was at WLAC Radio in Nashville that I met Hugh Jarrett for the first time. To say goings on at WLAC were insane is an understatement. The humor and raucousness of the jocks assembled there was well-known and that insanity bled into the music and general feeling of the jocks on the air. WLAC was the station of choice for the entire Eastern seaboard of the USA.
Hugh Jarrett was hired to take Bill Allen's (The Hossman) place in the Big Four which consisted of John Richbourg (John R.), Gene Nobles, Bill Allen and Herman Grizzard. WLAC was hugely responsible for the development of the Independent Record Business and bringing to the forefront dozens of young black entertainers. It was in this milieu that Hugh Jarrett adopted the name "Big Hugh Baby." Big Hugh became an instant icon and drew numbers to match that status. And then the FCC stepped in....and because of one silly statement, Hugh temporarily lost his broadcasting license, thus ending his meteoric rise at WLAC.
When I interviewed Hugh in 2006, he did not want to discuss this issue because he was then involved with a religious station in Marietta, Georgia and felt our discussing those facts from long ago would not cast an honorable light on his career.
Yes....Hugh sang bass for The Jordanaires and spent a number of years working with Elvis but that's certainly not all he did. His contributions to radio in the United States goes far beyond what is currently recognized.
Hugh Jarrett was an excellent human being and a good friend for many years. I will miss him as will the entire entertainment world.
May Big Hugh Baby ride that 50 gallon drum of White Rose into Paradise.
John Rhys/BluePower.com
_________________________________________________________________
I have had the pleasure of meeting some remarkable people in my time but rarely has there been anyone quite like Hugh Jarrett.
Born in Nashville, Hugh started his career in the music business singing with several local gospel groups prior to joining the world famous Jordanaires.
While with the Jordanaires, in early 1954, Hugh and the group were approached by Colonel Tom Parker to sing back-up for the up and coming star, Elvis Presley. The first records on which the Jordanaires sang back-up vocals were "Hound Dog" and "Don't Be Cruel." Two of the largest selling records in recording history up to that time.
When the group wasn't on tour with Elvis, they were busy 'round the clock singing in studios in Nashville and Los Angeles with such luminaries as Patsy Cline, Ricky Nelson, Neil Young, Willie Nelson, Jerry Lee Lewis and literally thousands of other young and aspiring artists.
It was after his years with the Jordanaires that I first met Hugh Jarrett. It was on a trip to Nashville in 1963 while promoting for Mercury Records that I met Hugh at WLAC Radio where he was sitting in for Bill Allen, "The Hoss Man." Hugh had an extraordinary way with a microphone and you can still hear it in his voice today.
A year or so later I met Hugh again at WPLO Radio in Atlanta where he had resumed his Big Hugh Baby shows. In fact, when I left Atlanta for Detroit in 1965, Hugh was the last person I saw there. We had lunch and he waved goodbye in my rear view mirror.
It had been a long time since I'd seen Hugh or spoken with him. (41 years) To be able to sit for a few hours and reminisce with this dignified, gentle man was pure pleasure.
Tune in to hear a very talented human being and one of the truly great radio voices of our time. The recording quality of the interview is not great but the history is amazing.
John Rhys/BluePower.com
Here's the music for the show:
1)...."On The Wings Of A Dove"....The Jordanaires....Capitol
2)...."Hound Dog"....Elvis Presley....RCA
3)...."Don't Be Cruel"....Elvis Presley....RCA
4)...."Are You Lonesome Tonight"....Elvis Presley....RCA
5)...."Will The Circle Be Unbroken"....The Jordanaires....Capitol
6)...."Young Love"....Sonny James....Capitol
7)...."I Can't Help Falling In Love With You"....Elvis Presley....RCA
Click here to play....BluePower Presents....What Ever Happened To Big Hugh Baby?
This show is dedicated to our dear friend....JoAnn Braheny. Or, as Hugh would have known her....JoAnn Jaffe, who worked on the air in the fledgling FM division at WPLO in Atlanta, Georgia with Big Hugh Jarrett.
_____________________________________________________________
If you are an aspiring guitarist....please be sure to check out BluePower's Company Store. We have our first basic guitar lesson now available with more lessons being added soon. Help yourself....and help BluePower as well.
It was at WLAC Radio in Nashville that I met Hugh Jarrett for the first time. To say goings on at WLAC were insane is an understatement. The humor and raucousness of the jocks assembled there was well-known and that insanity bled into the music and general feeling of the jocks on the air. WLAC was the station of choice for the entire Eastern seaboard of the USA.
Hugh Jarrett was hired to take Bill Allen's (The Hossman) place in the Big Four which consisted of John Richbourg (John R.), Gene Nobles, Bill Allen and Herman Grizzard. WLAC was hugely responsible for the development of the Independent Record Business and bringing to the forefront dozens of young black entertainers. It was in this milieu that Hugh Jarrett adopted the name "Big Hugh Baby." Big Hugh became an instant icon and drew numbers to match that status. And then the FCC stepped in....and because of one silly statement, Hugh temporarily lost his broadcasting license, thus ending his meteoric rise at WLAC.
When I interviewed Hugh in 2006, he did not want to discuss this issue because he was then involved with a religious station in Marietta, Georgia and felt our discussing those facts from long ago would not cast an honorable light on his career.
Yes....Hugh sang bass for The Jordanaires and spent a number of years working with Elvis but that's certainly not all he did. His contributions to radio in the United States goes far beyond what is currently recognized.
Hugh Jarrett was an excellent human being and a good friend for many years. I will miss him as will the entire entertainment world.
May Big Hugh Baby ride that 50 gallon drum of White Rose into Paradise.
John Rhys/BluePower.com
_________________________________________________________________
I have had the pleasure of meeting some remarkable people in my time but rarely has there been anyone quite like Hugh Jarrett.
Born in Nashville, Hugh started his career in the music business singing with several local gospel groups prior to joining the world famous Jordanaires.
While with the Jordanaires, in early 1954, Hugh and the group were approached by Colonel Tom Parker to sing back-up for the up and coming star, Elvis Presley. The first records on which the Jordanaires sang back-up vocals were "Hound Dog" and "Don't Be Cruel." Two of the largest selling records in recording history up to that time.
When the group wasn't on tour with Elvis, they were busy 'round the clock singing in studios in Nashville and Los Angeles with such luminaries as Patsy Cline, Ricky Nelson, Neil Young, Willie Nelson, Jerry Lee Lewis and literally thousands of other young and aspiring artists.
It was after his years with the Jordanaires that I first met Hugh Jarrett. It was on a trip to Nashville in 1963 while promoting for Mercury Records that I met Hugh at WLAC Radio where he was sitting in for Bill Allen, "The Hoss Man." Hugh had an extraordinary way with a microphone and you can still hear it in his voice today.
A year or so later I met Hugh again at WPLO Radio in Atlanta where he had resumed his Big Hugh Baby shows. In fact, when I left Atlanta for Detroit in 1965, Hugh was the last person I saw there. We had lunch and he waved goodbye in my rear view mirror.
It had been a long time since I'd seen Hugh or spoken with him. (41 years) To be able to sit for a few hours and reminisce with this dignified, gentle man was pure pleasure.
Tune in to hear a very talented human being and one of the truly great radio voices of our time. The recording quality of the interview is not great but the history is amazing.
John Rhys/BluePower.com
Here's the music for the show:
1)...."On The Wings Of A Dove"....The Jordanaires....Capitol
2)...."Hound Dog"....Elvis Presley....RCA
3)...."Don't Be Cruel"....Elvis Presley....RCA
4)...."Are You Lonesome Tonight"....Elvis Presley....RCA
5)...."Will The Circle Be Unbroken"....The Jordanaires....Capitol
6)...."Young Love"....Sonny James....Capitol
7)...."I Can't Help Falling In Love With You"....Elvis Presley....RCA
Click here to play....BluePower Presents....What Ever Happened To Big Hugh Baby?
This show is dedicated to our dear friend....JoAnn Braheny. Or, as Hugh would have known her....JoAnn Jaffe, who worked on the air in the fledgling FM division at WPLO in Atlanta, Georgia with Big Hugh Jarrett.
_____________________________________________________________
If you are an aspiring guitarist....please be sure to check out BluePower's Company Store. We have our first basic guitar lesson now available with more lessons being added soon. Help yourself....and help BluePower as well.
BluePower Presents....Influential Guitarists!
T-Bone Walker
Born: May 28, 1910 in Linden, Texas
Died: March 16, 1975 in Los Angeles, Ca.
Aaron Thibeaux Walker was a product of the early Dallas, Texas blues scene. Marco Washington, T-Bone's step-father, was a bass fiddle player with a group called The Dallas String Band. Almost all of T-bone's family played instruments of one kind or another and the young man followed his step-dad's example by learning every stringed instrument his talented hands could find. Once he learned the guitar, that was it.
T-Bone and his friend Charlie Christian hustled many gigs which included both playing and dancing. Neither one of the young men went to school that much. They were into making money so they could eat.
T-Bone Walker recorded from 1929 until 1973. During that time Walker recorded over 400 records. A recording discography unmatched by any guitar player to date. He also played with some of the most prestigious band leaders and performed in the world's finest venues.
Anyone who has enjoyed the music of BB King, Albert King or Freddie King, Buddy Guy, Magic Sam, Albert Collins, Johnny "Guitar" Watson, Robert Cray, Eric Clapton, Jimi Hendrix, Johnny Winter, Duane Allman, Mike Bloomfield, Stevie Ray Vaughan or any of a host of other blues and blues-influenced players has heard the influences of T-Bone Walker.
T-Bone Walker suffered a stroke 1n 1974 brought on by persistent stomach problems and died in Los Angeles, California in 1975.
John Rhys/BluePower.com
Here's the music:
1)...."Hand Clappin' "....Red Prysock....Mercury Records
2)...."Strollin' With Bone"....T-Bone Walker....Imperial Records
3)...."The Hustle Is On"....T-Bone Walker....Imperial Records
4)...."Black Snake Moan"....Blind Lemon Jefferson....Gold Box Records 5)...."Stormy Monday Blues"....T-Bone Walker....Black and White Records 6)...."Tomorrow Night"....Lonnie Johnson....King Records
7)...."Johnny B. Goode"....Chuck Berry....Chess Records
8)...."Hard Way"....T-Bone Walker....Imperial
9)...."Blue Mood"....T-Bone Walker....Imperial Records
10)..."Hand Clappin' "....Red Prysock....Mercury Records
Click here to listen to....Influential Guitarists....T-Bone Walker!
__________________________________________________________________
If you are an aspiring guitarist....please be sure to check out BluePower's Company Store. We have our first basic guitar lesson now available with more lessons being added soon. Help yourself....and help BluePower as well.
A Sad Replay....Sean Costello....We Can Get Together!
It is with great sadness that I report the death of young Sean Costello. He was found in an Atlanta hotel room yesterday and as yet, we are told no reason why. He would have been 29 today.
It was less than two months ago that Lori and I went to see him play at The Viper Room in Hollywood. Mr. Costello was one of the most vital new Blues men to come along the hard road in many a year.
I did an interview with Sean the next day. As we sat in my car and spoke, I could see he was under tremendous strain of keeping up with the traveling, bookings etc.
God Speed Sean. It was a pleasure meeting you.
John Rhys and staff/BluePower.com
___________________________________________________________________
Last week-end we found ourselves traveling throughout Southern California. During long drives I like to listen to new material and get a fix on what's happening on the blues scene through new CD releases.
I told Lori to pick one of the CDs and pop it in the player. She chose Sean Costello's new release on Delta Groove Productions, We Can Get Together.
Let's put it this way....the man is unique. Costello's guitar playing is dirty and clean with a choice of notes which accent the feel of the song he's playing at the time. He's a natural Bluesman and a terrific writer. His vocals expose his feelings and contribute to an overall, enthralling experience.
Mr. Costello has had several CDs released and has garnered accolades from some major folks. You can find this history on his web site below.
Stay Tuned!
John Rhys/BluePower.com
Here's the music:
1)...."Little Birds"....Sean Costello....Delta Groove
2)...."Same Old Game"....Sean Costello....Delta Groove
3)...."Have You No Shame"....Sean Costello....Delta Groove
4)...."How In The Devil"....Sean Costello....Delta Groove
5)...."Hard Luck Woman"....Sean Costello....Delta Groove
6)...."Can't Let Go"....Sean Costello....Delta Groove
Click here to play....Sean Costello....We Can Get Together!
Listen to an exclusive interview with Sean Costello!
Click here to go to Sean Costello's site!
Click here to go to Delta Groove Productions!
*************************************************************************
15mm Carthaginian FoG Army
I took advantage of the Old Glory 15s prepacked sets and bought some Field of Glory armies. This is the "Later Carthaginian" army from the "Rise of Rome" book, suitable for the Punic Wars. The army contains:
3 generals
2 BGs of Libyan spearmen (6 bases each)
1 BG of elephants (2 bases)
1 BG of Spanish scutari (6 bases)
1 BG of Spanish cavalry (4 bases)
1 BG of Gallic swordsmen (8 bases)
1 BG of Gallic cavalry (4 bases)
2 BGs of Numidian light horse (4 bases each)
1 BG of Numidian javelinmen (6 bases)
1 BG of Balearic slingers (6 bases)
First up are the army's three generals. Field of Glory calls for these to be cavalry bases, but Old Glory gives you three foot command and one mounted general per base. I've found that the cavalry general bases tend to blend in with the army during a game, so I really like Old Glory's approach to generals. These command bases stand out, making your generals easy to spot.
Here are the African heavy infantry, the solid core of Hannibal's army. I gave these men a pretty uniform look, going with simple white linothorax armor and blood red tunics. The shields really make these units pop. I went with a wide variety of designs.
I had never painted 15mm elephants before, but I have painted a few elephants for my 28mm army. Old Glory provides two different heads, which really make the elephants come alive. This might be my favorite unit in the army.
FoG classes Spanish scutari as medium foot. I didn't want these men to look as uniform as the African infantry, so I varied their tunic colors and helmet crests quite a bit. Their shields got a uniform design to make them look semi-professional. I was careful to paint the bands on the sinew helmets.
The Spanish heavy cavalry got a mix of shield designs, but uniform tunics and horsehair plumes. I painted the horse tackle in the famous Spanish crimson. The cloaks on these figures had a lot of deep relief, which made it very easy to paint good looking folds.
The Gallic contingent provides the most color to Hannibal's army. I painted checked and striped designs for the clothing, and I really mixed it up so no two soldiers are alike. The shields got a wide variety of colors and ornamentation. No two shields are alike either. These swordsmen are heavy infantry. Between their dress and their shields, they look like an undisciplined, but savage, body of warriors.
The Gallic cavalry got the same treatment as the infantry. I painted the horse tackle in a natural leather color. The only quibble I have with Old Glory's packaging is that I got four copies of the same pose (the fellow stretching his sword forward).
I have to admit, I love painting Numidian cavalry. I used the exact same technique on these 15mm figures that I did on my 25mm Numidians, and it worked just as well. The 15mm packs came with quite a few poses, which really makes the Numidians look like a swarm of undisciplined light horse.
The Numidian javelinmen are plain figures, so I went all out on shading the unbleached linen tunics. The shield designs help make the figures more visually attractive.
The Balearic slingers also got the full treatment on their unbleached linen tunics. I painted slightly different shades for the Numdians and Balearic islanders. Even though the figures don't have a lot of ornamentation, these are two of the best looking figures in the army.
All bases are Litko. I spent a pretty penny on bases for the 15mm FoG armies, but I think Litko bases are always worth the extra money.
To flock the bases, I used Woodland Scenics light brown fine ballast, which I secured to the bases with a white glue wash. I then drybrushed the ballast with Delta's "latte" to make the dirt really pop. I glued tallus and clump foliage to break up the dirt a bit and add some color.
All told, the army has 137 foot, 43 mounted, and two elephants with six crew. I'm painting these for sale, so if these catch your fancy, email me and we'll negotiate a price. I usually get between $4-$5 per foot figure and between $8-$10 per cavalryman when selling on eBay, so I figure this army is worth somewhere between $900-$1,150. But I am willing to budge a bit on that number.
The Old Glory figures were a joy to paint. These are proper 15s, exactly 15mm from bottom of foot to eye level, so they can't carry the amount of detail of Xyston figures, but they come very close.
I'm very impressed with the army packaging. It lets me build a FoG army without having to worry about excess figures, and it actually costs less than buying the figures in their normal bags. Now I have four more armies to paint: Punic Wars Romans, Marian Romans, Gauls, and Alexandrian Macedonian.
3 generals
2 BGs of Libyan spearmen (6 bases each)
1 BG of elephants (2 bases)
1 BG of Spanish scutari (6 bases)
1 BG of Spanish cavalry (4 bases)
1 BG of Gallic swordsmen (8 bases)
1 BG of Gallic cavalry (4 bases)
2 BGs of Numidian light horse (4 bases each)
1 BG of Numidian javelinmen (6 bases)
1 BG of Balearic slingers (6 bases)
First up are the army's three generals. Field of Glory calls for these to be cavalry bases, but Old Glory gives you three foot command and one mounted general per base. I've found that the cavalry general bases tend to blend in with the army during a game, so I really like Old Glory's approach to generals. These command bases stand out, making your generals easy to spot.
Here are the African heavy infantry, the solid core of Hannibal's army. I gave these men a pretty uniform look, going with simple white linothorax armor and blood red tunics. The shields really make these units pop. I went with a wide variety of designs.
I had never painted 15mm elephants before, but I have painted a few elephants for my 28mm army. Old Glory provides two different heads, which really make the elephants come alive. This might be my favorite unit in the army.
FoG classes Spanish scutari as medium foot. I didn't want these men to look as uniform as the African infantry, so I varied their tunic colors and helmet crests quite a bit. Their shields got a uniform design to make them look semi-professional. I was careful to paint the bands on the sinew helmets.
The Spanish heavy cavalry got a mix of shield designs, but uniform tunics and horsehair plumes. I painted the horse tackle in the famous Spanish crimson. The cloaks on these figures had a lot of deep relief, which made it very easy to paint good looking folds.
The Gallic contingent provides the most color to Hannibal's army. I painted checked and striped designs for the clothing, and I really mixed it up so no two soldiers are alike. The shields got a wide variety of colors and ornamentation. No two shields are alike either. These swordsmen are heavy infantry. Between their dress and their shields, they look like an undisciplined, but savage, body of warriors.
The Gallic cavalry got the same treatment as the infantry. I painted the horse tackle in a natural leather color. The only quibble I have with Old Glory's packaging is that I got four copies of the same pose (the fellow stretching his sword forward).
I have to admit, I love painting Numidian cavalry. I used the exact same technique on these 15mm figures that I did on my 25mm Numidians, and it worked just as well. The 15mm packs came with quite a few poses, which really makes the Numidians look like a swarm of undisciplined light horse.
The Numidian javelinmen are plain figures, so I went all out on shading the unbleached linen tunics. The shield designs help make the figures more visually attractive.
The Balearic slingers also got the full treatment on their unbleached linen tunics. I painted slightly different shades for the Numdians and Balearic islanders. Even though the figures don't have a lot of ornamentation, these are two of the best looking figures in the army.
All bases are Litko. I spent a pretty penny on bases for the 15mm FoG armies, but I think Litko bases are always worth the extra money.
To flock the bases, I used Woodland Scenics light brown fine ballast, which I secured to the bases with a white glue wash. I then drybrushed the ballast with Delta's "latte" to make the dirt really pop. I glued tallus and clump foliage to break up the dirt a bit and add some color.
All told, the army has 137 foot, 43 mounted, and two elephants with six crew. I'm painting these for sale, so if these catch your fancy, email me and we'll negotiate a price. I usually get between $4-$5 per foot figure and between $8-$10 per cavalryman when selling on eBay, so I figure this army is worth somewhere between $900-$1,150. But I am willing to budge a bit on that number.
The Old Glory figures were a joy to paint. These are proper 15s, exactly 15mm from bottom of foot to eye level, so they can't carry the amount of detail of Xyston figures, but they come very close.
I'm very impressed with the army packaging. It lets me build a FoG army without having to worry about excess figures, and it actually costs less than buying the figures in their normal bags. Now I have four more armies to paint: Punic Wars Romans, Marian Romans, Gauls, and Alexandrian Macedonian.
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